Support Act: --
~ TOUR 1973 ~
Larks' Tongues in Aspic is the fifth studio album by the English progressive rock group King Crimson, released in March 23,1973.This album is the debut of King Crimson's third incarnation.
KING CRIMSON
Robert Fripp – guitars, "Soundscapes", keyboards (1968–74, 1981–84, 1994–present)
Bill Bruford – acoustic and electronic drums, percussion (1972–74, 1981–84, 1994–97)
Bill Bruford – acoustic and electronic drums, percussion (1972–74, 1981–84, 1994–97)
John Wetton – bass guitar, lead vocals, piano, guitar, lyrics (1972–74)
David Cross – violin, viola, keyboards, flute (1972–74)
David Cross – violin, viola, keyboards, flute (1972–74)
The Setlist
KING CRIMSON
Intro Tape: Frippertronics
Dr Diamond (New Song) (The Great Deceiver - Live - 1974)
Larks' Tongues in Aspic, Part One (Larks’ Tongues in Aspic - 1973)
Easy Money (Larks’ Tongues in Aspic - 1973)
Fracture ( New Song)(Starless and Bible Black - 1974)
Improv
Exiles (Larks’ Tongues in Aspic - 1973)
Book of Saturday (Larks’ Tongues in Aspic - 1973)
Improv
The Talking Drum (Larks’ Tongues in Aspic - 1973)
Larks' Tongues in Aspic, Part Two (Larks’ Tongues in Aspic - 1973)
21st Century Schizoid Man (In the Court of the Crimson King - 1969)
Peace - A Theme (In the Wake of Poseidon - 1970)
***
Time Set:
KING CRIMSON
Intro Tape: Frippertronics
Dr Diamond (New Song) (The Great Deceiver - Live - 1974)
Larks' Tongues in Aspic, Part One (Larks’ Tongues in Aspic - 1973)
Easy Money (Larks’ Tongues in Aspic - 1973)
Fracture ( New Song)(Starless and Bible Black - 1974)
Improv
Exiles (Larks’ Tongues in Aspic - 1973)
Book of Saturday (Larks’ Tongues in Aspic - 1973)
Improv
The Talking Drum (Larks’ Tongues in Aspic - 1973)
Larks' Tongues in Aspic, Part Two (Larks’ Tongues in Aspic - 1973)
21st Century Schizoid Man (In the Court of the Crimson King - 1969)
Peace - A Theme (In the Wake of Poseidon - 1970)
***
Time Set:
Un concert extraordinaire ! J'étais juste devant la scène, au quatrième rang. Les pétards tournaient dans la salle tandis que les musiciens se déchaînaient (les crins de l'archet de David Cross se cassaient les uns après les autres), à l'exception de Robert Fripp qui, calme et pénétré, assis sur un haut tabouret de bar, caressait le manche de sa Gibson.
RépondreSupprimer